From http://www.redhotjazz.com/trixiesmith.html
More at Wikipedia: https://en.wikipedia.org/wiki/Trixie_Smith
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Title | Director | Year |
The Black King | Bud Pollard | 1932 |
Drums O’ Voodoo | Arthur Hoerl | 1934 |
Swing! | Oscar Micheaux | 1938 |
God’s Step Children | Oscar Micheaux | 1938 |
Title | Recording Date | Recording Location | Company |
Ada Jane’s Blues (Jay Guy Suddoth) |
9-1924 | New York, New York | Paramount 12232-B |
Black Bottom Hop (Paul Carter) |
12-1925 | New York, New York | Paramount 12336 |
Choo Choo Blues (1) (Jay Guy Suddoth) |
12-1924 | New York, New York | Paramount 12245 |
Choo Choo Blues (2) (Jay Guy Suddoth) |
12-1924 | New York, New York | Paramount 12245 Silvertone 3565 |
Desperate Blues (Alex Rogers / James P. Johnson) |
1-1922 | New York, New York | Black Swan 2039-A |
Don’t Shake It No More (Thomas A. Dorsey) |
6-1924 | New York, New York | Paramount 12211-B |
Everybody’s Doing The Charleston Now With Fletcher Henderson’s Orchestra (Benton) |
12-1925 | New York, New York | Paramount 12330-A |
Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) (Jack Palmer / Spencer Williams) |
1-1925 | New York, New York | Paramount 12249 |
Freight Train Blues (Thomas A. Dorsey / Everett Murphy ) |
5-1924 | New York, New York | Paramount 12211-A |
Freight Train Blues (Williams) |
5-26-1938 | New York, New York | Decca 7489 A |
Give Me That Slow Drag (Tom Delaney) |
9-1922 | New York, New York | Black Swan 14127-A Paramount 12164-A |
He May Be Your Man (But He Comes To See Me Sometimes) (Lemuel Fowler) |
4-1922 | New York, New York | Black Swan 14114-A |
He May Be Your Man (But He Comes To See Me Sometimes) (Perry Bradford / Lemuel Fowler) |
5-26-1938 | New York, New York | Decca 7528 |
He Likes It Slow (W. Benton Overstreet) |
12-1925 | New York, New York | Paramount 12336 |
How Come You Do Me like You Do? (Austin / Bergere) |
1-1925 | New York, New York | Paramount 12249 |
I Don’t Know And I Don’t Care Blues (1) (George Brooks) |
5-1924 | New York, New York | Paramount 12208 |
I Don’t Know And I Don’t Care Blues (2) (George Brooks) |
5-1924 | New York, New York | Paramount 12208 |
I’m Gonna Get You (Porter Grainger / Bob Ricketts) |
1-1923 | New York, New York | Black Swan14138-B |
I’m Through With You (As I Can Be) (Billy Higgins) |
10-1922 | New York, New York | 14132-B Black Swan 14132-B |
Jack, I’m Mellow (Gerry / House) |
5-26-1938 | New York, New York | Decca 7528 |
Log Cabin Blues (Tom Delaney) |
3-1923 | New York, New York | Black Swan 14142-A |
Long Lost, Weary Blues | 3-1922 | New York, New York | Black Swan 2044-B |
Love Me Like You Used To Do With Fletcher Henderson’s Orchestra (Paul Carter) |
12-1925 | New York, New York | Paramount 12330-B |
Mining Camp Blues (1) (Trixie Smith) |
2-1925 | New York, New York | Paramount 12256-A |
Mining Camp Blues (2) (Trixie Smith) |
2-1925 | New York, New York | Paramount 12256-A |
My Man Rocks Me (With One Steady Roll) (J. Berni Barbour) |
9-1922 | New York, New York | Black Swan 14127-B Paramount 12164-B |
My Unusual Man (Porter Grainger) |
5-26-1938 | New York, New York | Decca 7489 B |
My Daddy Rocks Me (1) (J. Berni Barbour) |
5-26-1938 | New York, New York | Decca |
My Daddy Rocks Me – No. 2 (J. Berni Barbour) |
5-26-1938 | New York, New York | Decca 7617 A |
No Good Man | 6-14-1939 | New York, New York | Decca 7617 B |
Pensacola Blues (Spencer Williams) |
4-1922 | New York, New York | Black Swan 14114-B |
Praying Blues (Jay Guy Suddoth) |
9-1924 | New York, New York | Paramount 12232-A |
Railroad Blues (1) (Trixie Smith) |
3-1925 | New York, New York | Paramount 12262-A |
Railroad Blues (2) (Trixie Smith) |
3-1925 | New York, New York | Paramount 12262-A |
Ride Jockey Ride (Arthur Schell Jr.) |
12-1924 | New York, New York | Paramount 12245 |
Sorrowful Blues (Trixie Smith / Johns) |
5-1924 | New York, New York | Paramount 12208 |
Take It Daddy It’s All Yours (Perry Bradford) |
10-1922 | New York, New York | Paramount 12165-A Black Swan 14132-A |
The World’s Gone Jazz Crazy And So Am I (1) (William Henry Huff / Jimmy Blythe) |
3-1925 | New York, New York | Paramount 12262-B |
The World’s Gone Jazz Crazy And So Am I (2) (William Henry Huff / Jimmy Blythe) |
3-1925 | New York, New York | Paramount 12262-B |
Tired Of Waiting Blues (Porter Grainger / Bob Ricketts) |
3-1923 | New York, New York | Black Swan 14149-A |
Triflin’ Blues (Porter Grainger / Bob Ricketts) |
3-1923 | New York, New York | Black Swan 14149-B |
Trixie’s Blues (Trixie Smith) |
1-1922 | New York, New York | Black Swan 2039-B |
Trixie’s Blues (Trixie Smith) |
5-26-1938 | New York, New York | Decca 7469 |
2 A.M. Blues (J.C. Johnson / Roland Irving) |
1-1923 | New York, New York | Black Swan14138-A |
Voodoo Blues (Hegamin) |
3-1923 | New York, New York | Black Swan 14142-B |
You Missed A Good Women When You Picked All Over Me (Williams) |
3-1922 | New York, New York | Black Swan 2044-A |
You’ve Got To Beat Me To Keep Me (Porter Grainger) |
2-1925 | New York, New York | Paramount 12256-B |
Artist | Instrument |
Henry “Red” Allen | Cornet |
Louis Armstrong | Cornet |
Sidney Bechet | Clarinet |
Barney Bigard | Clarinet |
Edgar Campbell | Clarinet |
Sidney Catlett | Drums |
Buster Bailey | Clarinet, Alto Saxophone |
Teddy Bunn | Guitar |
Edgar Campbell | Clarinet |
Elmer Chambers | Banjo |
Charlie Dixon | Banjo |
Ralph Esudero | Tuba |
Richard Fullbright | Bass |
Frank Signorelli | Piano |
Charlie Green | Trombone |
Flethcher Henderson | Piano |
James P. Johnson | Piano |
Jimmy Lytell | Clarinet |
Miff Mole | Trombone |
Phil Napoleon | Clarinet |
Ted Nixon | Trombone |
Sam Price | Piano |
Don Redman | Clarinet |
Jack Roth | Drums |
Howard Scott | Cornet |
Charlie Shavers | Trumpet |
Joe Smith | Trumpet |
Russell Smith | Trumpet |
O’Neil Spencer | Drums |
Walter Watkins | Tenor Saxophone |